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“What’s the trouble, dear? What were you afraid of?” she enquired, as she raised him to his feet. “I b’lieve I’ll go an’ git the warterin’ can,” announced Betty. “These pansies is orful dry, an’ even ef the sun is shinin’ on them, some warter round the roots wont hurt. You stay here, St. Elmo, an’ I’ll be back in a minute.” An enlarged crayon portrait in a wide gilt frame of Moses as a baby in a state of round cherubic innocent nudity, had been added recently to the mural decorations and was especially well covered with cloths..

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Another sound in a somewhat higher key was heard. Moses had simply modulated in his domestic symphony of labor from a major task to a minor one. As a change and refreshing recreation, Moses was allowed to turn the small wheat-mill. Ninety soul-stirring turns it required to empty the hopper once, and he must turn out enough flour for a batch of bread. His youthful soul was in revolt at such servitude. He had no sympathy to squander on the children of Israel in bondage vile. Making bricks for Pharoah was infantile amusement compared to his labor. Mrs. Wopp was an incurable optimist, although the citadel of her optimism was being assailed. Turning her wrathful gaze from Moses, her eye lighted on the soiled pink hat and antimacassar still worn by Job. She burst into a hearty laugh and turned to Betty. “Here come the Wopps,” said Nell to her companion as the family entered, led as usual by Mrs. Wopp. Mr. Wopp came next especially scoured for the occasion, freshly shaved and with long side hair carefully oiled and combed over the bald spot on his crown. He carried a few long strips of paper in his hand. Beside him walked Betty inwardly disapproving of the two stiff braids with which her head was adorned. Bringing up the rear was Moses, his face shining with soap and satisfaction and wearing a new brown suit at least two sizes too large for him. He was bent on a good time which in his case meant sitting on a side bench with a few other youths and jeering at the mistakes of the dancers. Close at his heels came Jethro who had pleaded so hard to be brought along and had gazed at them with such tragic appeal in his eyes that they could not disappoint him. He was now stationed under a bench, having first been intimidated with dire threats as to what would happen to him should he come out and trip up the dancers. Billy entered with a cat under each arm. “Geewhillikins,” he introduced, “the best fighter in town,” and put down a stub-tailed, gray cat, half as large as the house pets, with “tom-cat” speaking from every hair of him. “I think mamma’s partial,—she lets sister’s cats come in the house, but not mine.”.